Showing posts with label industrial history. Show all posts
Showing posts with label industrial history. Show all posts

Sunday, 5 March 2017

What? More exhibitions?!

It's now a year since I was scratching my head over what to create for the Weaving Narratives exhibitions. I thought the story would be over in October 2016 with the last Weaving Narratives exhibition in Flitwick, but it's still unfolding. (Or possibly unravelling :-) )

Bedford Central Library wasn't on the original list of venues, but once they saw the exhibitions at Luton and Flitwick libraries they invited us to exhibit there, too. This was really exciting because I've been visiting Bedford Library since we first moved here when I was six years old. When I go up to the second floor balcony I can still remember the smell of coffee that wafted around there when it was the coffee bar! By a strange coincidence the library was opened a few days before I was born, so we almost share a birthday (this seemed more relevant when I was six than it does today, though!)

The library is just down the road from all of the places that feature in my pieces, so it couldn't be much more local. Here are a couple of photos for you.


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I helped out on the first day of the exhibition, and as it was the 9 to 11am slot on a Thursday morning, the visitors were mainly retired people. Many were fascinated and really enthusiastic about work on display, with many of the pieces bringing back memories from long ago. Some pieces are based on buildings that have been demolished (e.g. my Picturedrome Cinema and Emma Johnstone's Cardingtom Mill) so I was heard the comment "I remember that! Actually, DO I remember that? Where was it?" a few times!

I had a long chat to an older guy who I think just needed to have a chat with someone about how he was getting older, didn't see his friends as much  and could no longer do some of the things he used to enjoy. He wasn't feeling sorry for himself, I think he just wanted to talk. I hope that, when I'm that age, someone has the time to listen to me.

In those two hours I learned first-hand how art can make a connection with people. Until then I'd tended to believe the stereotype that art is elite, expensive, hard to understand and if I'm honest a bit pretentious. This was the complete opposite of that...personal, emotional, tactile, real.

So the official Weaving Narratives exhibitions are over but there is one more unofficial one left to go. Anne-Marie Stijelja curates the art gallery at Bedford Hospital and has asked the contributors if we'd like to exhibit our work there from the end of March until June. Over half of us (maybe even most of us?) said 'yes' so look out for our work if you're passing by the door of the Swannery Restaurant from March - June 2017.

And...I'm making a new piece of work for a completely new exhibition this summer, so look out for a post on that soon!

***

Update, May 2017 - here's a photo of the exhibition at Bedford Hospital:

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Thursday, 9 June 2016

Soft fabric and heavy metal, part 2

(This continues from part 1.)

So I'd decided that I wasn't freaked out enough by the thought of exhibiting my (currently non-existent) artwork to pull out of the exhibition. And that I was going to do something on Bedford's engineering history. What now?

I had an idea of doing some kind of big collage and stuck down a few ideas...


I really hadn't a clue how to do a collage so it 'hung together' properly as a whole, so I started to Google industrial art and fabric collage to get some ideas.

I discovered Grayson Perry's tapestries (click here for examples) and thought they were fantastic. I'd heard of Grayson - hasn't everyone? - but had no idea of his work, so this was a great find. Aside from the work itself, I love the way he's doing something you don't usually see in textiles - modern, political, angry in places. I'm used to textiles being practical or decorative and this was something different.

It also hit me that I didn't really have the skill or experience to pull off a decent collage and I'd be better zooming in on one aspect instead of trying to cover a lot of ideas in one go.

During my Googling it became apparent that I needed to decide what I wanted to say and then remove anything that distracted from that. To decide my goal, in other words. This made things much easier as I dropped the 'what the hell am I doing I'm not an artist' mindset and thought about what I wanted to say and achieve instead. Here's what I came up with:

- I want to show people a snapshot of Bedford's proud industrial past, which is actually surprisingly recent but all-but forgotten.

- I want to try some new techniques, learn some new things, meet some new people.

That made it seem much more doable.

After that I tinkered around with my paper collage and found there were two things that attracted me:

- The machinery in the old photos of the Queen's Engineering Works. Could I 'do' this hard metal in a soft fabric?

- The Britannia Iron Works Clock Tower. It's one of the very few signs of Bedford's engineering past that's still visible. I believe it narrowly escaped being demolished a few years ago and it's now crumbling in places. What did it look like when i was first built? And what had it seen in the years since then?

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I mentioned to Kathryn and Rachel at the Beds Archives that I was looking at WH Allen and the Britannia Ironworks and they said I might like to take a look at one of their blogs on Bedfordshire at war, where I found this photo of the Britannia clock tower taken in 1865. What struck me is that the clock tower has hardly changed in 150 years, but everything around it has changed dramatically. It was an industrial time-traveller. I could definitely do something with this.

So now I was feeling much less overwhelmed and I had a plan. Time to start work!

Wednesday, 8 June 2016

Soft fabric and heavy metal, part 1

Back in March I read about a textile craft event called Weaving Narratives that was being held at Bedfordshire County Archives. It sounded interesting and they were offering to show us around their stack room (I'm a bit nosy), so I signed up.

Here's the stack room, by the way. I think it's the map shelf...


Amazing, eh?

There are tons of even more amazing documents inside but unfortunately I'm not allowed to share them for copyright reasons.

It turned out that this little craft project was filled with proper artists, which was frankly quite intimidating since I'd barely picked up a needle in twenty years. Especially as we were asked to create a piece of artwork inspired by something we'd find in the county archives and then display it in an exhibition in the Autumn. My big fear was that my effort would look embarrassingly bad next to the proper art!

But it's a fascinating project and the enthusiasm of the archives staff was infectious. And when else was I ever going to get a chance to have my art in an exhibition? I had to do it, even though it was taking me outside my comfort zone.

So the next question was what on earth was I going to make? The challenge with the archives is that there's just so much material there, it's hard to decide. But while having a chat with Emma from the Crafty Mrs Noah craft group I hit upon the idea of using Bedford's engineering past.

To read more, please head over to the Weaving Narratives blog...

weavingnarrativesblog.wordpress.com/2016/05/16/a-world-of-hard-metal/

I'll add another update here on my blog when I get a chance, so pop back soon!